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rain​-​talk and fever

by Andrew Macann

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1.
Rain HT 04:47
RAIN I can hear you making small holes in the silence rain If I were deaf the pores of my skin would open to you and shut And I should know you by the lick of you if I were blind the something special smell of you when the sun cakes the ground the steady drum-roll sound you make when the wind drops But if I should not hear smell or feel or see you you would still define me disperse me wash over me rain
2.
Haiku (1) HT 01:17
HAIKU (1) Stop your snivelling creek-bed come rain hail and flood-water laugh again
3.
A FALL OF RAIN AT MITI-MITI Drifting on the wind, and through the broken window of the long house here you lie, incantatory chant of surf breaking, and the Mass and the mountain talking. At your feet two candles puff the stained faces of the whanau, the vigil of the bright Madonna. See, sand-whipped the toy church does not flinch. E moe, e te whaea: wahine rangimarie Mountain, why do you loom over us like that, hands on massive hips ? Simply by hooking your finger to the sea, rain-squalls swoop like a hawk, suddenly. Illuminated speeches darken, fade to metallic drum-taps on the roof. Aanei nga roimata o Rangipapa Flat, incomprehensible faces: lips moving only to oratorical rhythms of the rain: quiet please, I can't hear the words. And the rain steadying: black sky leaning against the long house. Sand, wind-sifted eddying lazily along the beach. And to a dark song lullaby: et te whaea, sleep.
4.
Small signs & impressions (Te Araroa, later part of 1979) Hey, you, Tangaroa, ocean. YOU, with the blubbery, soft-thwacking gums working. What big message do you beat out with them, today? ... Ay? Speak louder. Whetumatarae scratches a bushy head. Does your message have teeth? ... Ay? Is there a threat from the South, today? A threat hidden behind the headland to the North? Speak. In Judea, the bible is the grenade, is the sword, is the gun, the bear and the eagle droppeth, like dung. And who impose a common tongue on the sister and brother voices of Babel, pray? Wave and river-action are the rock-built hillocks; the river flat-lands brooding, and YOU, out there, kaumatua, chest heaving, floating on your back utterly pierced and sun-rayed: yes, and what about the good news, then ? The old old tree, wide as the world, many-rooted, is leaning back, bad thoughts amputated, waiting for his own special pataka. Hah! They're trying to pension me off for chrissake! How arrogant! The rain falling: there's a rising murmur from the playing field, and war of another kind with a taua from the North. And whose is the lasting victory, Tangaroa? On one side of the tree only, leaves stir to a fickle wind, passing.
5.
Roads HT 01:42
ROADS I turn away from roads, sign-posted hot macadams: roads on smooth roads curving looping under, up and yonder going leading nowhere. I dream of roads but seek instead a tumble stumble-footed course I know will earn me sad wounds cutting deep to bone. I have learned to love too much perhaps rough tracks hard of going poorly lit by stars. Night-long voyagings have found no easy path to the silent gate that is the dawn - the truth beyond that is the banished city. Hearing only the night-birds booming ancient blasphemies: moon-dark ease reflection in the knocking stones the river chortling.
6.
TIME AND THE CHILD Tree earth and sky reel to the noontide beat of sun and the old man hobbling down the road. Cadence - of sun-drowned cicada in a child's voice shrilling: ... are you going man ? Where are going man where The old man is deaf to the child. His stick makes deep holes in the ground. His eyes burn to a distant point where all roads converge ... The child has left his toys and hobbles after the old man calling: funny man funny man funny old man funny Overhead the sun paces and buds pop and flare.
7.
KEEP MOVING I lumbar over the land, knees swollen and knotted like giant kumara roots. Who is that child so far down below who reaches out to me? I can barely hear his cry, he is simply too far away. I trudge through drying braided rivers, I step over tussocks brown hills. What do you say, you small people waving your hands at me from beside the lake? You think I should stop, you want to help, the child needs me? Huh. No, no, the heat is its own desperate cure, the creaking legs need to keep moving, the dry earth knows all about me. The child? Oh yes, I can see him still, I think he's getting smaller - isn't that strange ? Maybe he'll disappear - meanwhile, I have my eye on that razor pass through the mountains. I think I may have been there before.
8.
RAIN-TALK AND FEVER Menacingly, and above your thrumming that strange melody sidewise squirming; surfacing, to make a sharp stir. And you rain, raining there, outside, incessantly, (O, and with such a long night to appease.) At last, the fever's arched back snapping; peace with a cool hand sitting on the bed; beautiful. And suddenly you were no longer there. Your sooth-sayer voice in commiseration had vanished. But how timely and reassuring to hear the clock jangling the sure hour before dawn. Ah rain, I can barely remember the coiled and stubborn malady you helped to float to a high dry place. Quietened now, and like a derelict cat cleaning itself.
9.
HOLDING THE LINE when I feel feverish I take the full moon and place it on my brow like a flannel it is so cool because it has just been swimming in the sea when I feel that my heart is clapping out of time I take it out and throw it up among the stars who know all there is to know about holding the line
10.
Flood HT 02:28
Flood In the back country hard rain is bucketing Here in the narrowing light the river bellows fatly From high ground I mark twin rows of willow dishevelled arms clutching drunk roots hoarding bits of old bridge-planking the body of a beast puff-bellied hind feet sticking out I ask: when will the waters clear the eels breathe easy again? Shall I be able to ford the river soon: visit a lean Aunt?
11.
OLD MAN CHANTING IN THE DARK Where are the men of mettle? are there old scores left to settle? when will the canoes leap to the stab and kick the sea-wet flourish of pointed paddles? will the sun play again to the skip of muscles on curved backs bared to the rain's lash the sea's punch? to War! To War! where are the proud lands to subdue - and women? where are the slaves to gather wood for the fires stones for the oven? who shall reap the succulent children whimpering on the terraced hill-top? no more alas no more no raw memory left of these nor bloody trophies: only the fantail's flip to cheeky war-like postures and on the sand-hill wry wind fluting the bleached bones marrowless
12.
WHAT THE WIND DOES it hunts through the forest of mangrove roots and what else does the wind do? it tosses flecks of foam along the sand and what else does the wind do? it licks my bald head with a cold tongue and what else does the wind do? it lunges and whines under the overturned dinghy and what else does the wind do? it shows me how much air is in the world and what else does the wind do? it ruffles the chest feathers of the strutting gull and what else does the wind do? it whips around my face and tells me not to die

about

#raintalkandfever

The Trans Tasman Radiation Oncology Group (TROG) is a global leader in radiotherapy research based in Australia and New Zealand.

1 in 2 cancer patients will benefit from radiotherapy and TROG is working hard on ways to continually improve their treatment.

TROG focuses on cancers that can be treated with radiotherapy such as breast, lung, prostate, skin, head and neck.

Over 14,000 people have volunteered to participate in more than 100 TROG trials, helping our researchers improve cancer treatments.

Proceeds from this recording will help fund TROG research in New Zealand. www.trog.com.au

credits

released November 7, 2016

music / piano: Andrew Macann
voice: Rodney Macann
voice: Dilys Fong
clarinet: Donald Nicholls
audio: Franco Viganoni

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Andrew Macann Auckland, New Zealand

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